Category Archives: theatre and film

Tour de Science – a science story-telling show

By David Famularo

Thought you might be interested in this” said the note from a friend on a Tour De Science postcard she had posted to me. That wasn’t the only old fashioned thing about the show which featured David  Klein and his “Big Dummy” cargo bike on which he had been cycling around New Zealand, performing in 60 locations over summer.

Now his early thirties, Klein had gone through a stage familiar to many New Zealanders when in his twenties – what am I supposed to be doing with my career/life? A science nerd from an early age, it seemed inevitable Klein would become a scientist.

But he dropped out of university after 18 months and started packing boxes in a factory. Klein isn’t the first academically oriented person to have done this, Arthur Miller, for instance, worked in Brooklyn Navy Yard while writing his early plays.

Klein soon realised basic labouring work was not his future either and returned to university. Receiving his graduation certificate through the post (due to the cancellation of a graduation ceremony because of the Christchurch earthquakes) only brought up the same ennui as before.

Klein loved learning but didn’t love boxes – either packing them or being in one. For the past six months, perhaps temporarily, he has stepped out of a box with Tour de Science, a one man, one hour show in which Klein attempts to share the awe he feels for life and the universe through science.

Can a man and a bike performing for a live audience achieve anything that the Internet can’t? The answer to that is no and yes.

Nothing Klein explains to his audience is not available online but I came away with a better grasp of evolution and DNA than before. Although it wasn’t a part of his talk, I also had a glimpse of an understanding of the theory of relativity.

When Klein was talking about the distance between the earth and other objects to give some sense of the enormity of our universe, he was talking about it in terms of the number of years it takes for light to travel that distance (light years), using a measurement of time that only makes sense when you live on the planet Earth and which would make no sense in another part of the universe – hence the relativity (well, my skewed version of it anyway)

I had a friend drop by this morning who said how he had found a book he had gotten out of the library was too dense to read. I said this was possibly the fault of the author packing too many ideas into every sentence, paragraph and chapter.

Most people can only grasp a small number of big ideas at one time – well that’s the case for me. And here in lies the brilliance of Tour De Science. It doesn’t overload the audience with information, and it explains ideas in a simple logical flow, with amusing props to underline concepts.

Klein also understands that knowledge is a form of sharing, storytelling and entertainment. When he wore a large silver disc of the moon, Klein reminded me of Flavor Flav, hype man for rap group Public Enemy wearing a giant clock while on stage.

A “hype man” contributes to a performance of a band by using themselves as a prop, much like Klein used his body and his life story to encourage a love of learning.

http://www.tourdescience.com/

A Midsummer Night’s Dream

Trust House Theatre, Rathkeale College, Masterton

 Saturday 1 – Wednesday 6 July 2016

Reviewed by David Famularo

A Midsummer Night’s Dream is all about magic. And there is plenty of magic in this production by the Rathkeale/St Matthew’s senior college. To the point where there is a touch of melancholy coming back to reality when the lights go up and you are back in your car heading home.

The fine line between reality and dreaming is one of the many intriguing and entertaining themes Shakespeare explores in Dream. He saves one of his best lines on this theme for the end of the play, spoken by the spontaneous and unpredictable fairy Puck:

“If we shadows have offended,

Think but this, and all is mended,

That you have but slumber’d here

While these visions did appear.”

Dream is one of Shakespeare’s most popular plays, and deservedly so. It is brimful with some of his most quotable lines, most famously “The course of true love never did run smooth.”  It’s a credit to this cast, its co-directors Joanne Simpson and Matt Hudson, and production team that the audience is able to dine out so fully on the language.

This is a visually and aurally sumptuous production that makes it easy to believe in fairies. You are consistently led from one pleasant surprise to another, not the least being two songs sung beautifully in the middle of the performance.

One of the strengths of this production is that it captures the unique nuances of each of the four relationships in question. For example, at first we are meant to despise the forced love of the Theseus, Duke of Athens over his conquered bride Hippolyta, Queen of the Amazons. But their love grows in a way that makes sense within the world of power in which they are fated to exist.

I like to call Coronation Street the Shakespeare of soap operas because like the Elizabethan playwright, its writers know the human heart. In places, the plot in Dream plays like one of those story lines in Coro Street, with misunderstandings, mistaken identities and general confusion.

Shakespeare gently exposes the flaws in each of his characters but ultimately Dream manages to find good in everyone. Anger is just a momentary confusion on the way towards a normal state of happiness and peace.

In between his musings on the nature of reality, and the magic of romance, Shakespeare still finds room to tease the more amateur thespians of his generation, who become a group of bumbling amateur actors putting on a play to impress at the wedding of Theseus and Hippolyta.

Even here Shakespeare can’t resist creating a fourth dimension by holding a play within a play, much like artists and film makers have used mirrors and reflections to create infinity. He even manages to embed the Romeo and Juliet ending into his amateur production. Clever.

It was Aristotle who coined the term “suspension of disbelief” for the way humans will suspend normal day-to-day reality while enjoying storytelling, whether around a fire, in a book, or watching a play or film.

With its beautiful fairies, stunning stage sets and excellent acting, this production made the leap from reality to fantasy an easy one, and delivered its opening-night audience into the enchanting slumber of a midsummer’s night dream in the middle of winter.